نشریه پژوهش های ادبی و بلاغی
سال سوم شماره 1 (پیاپی 9، زمستان 1393)

“Eiham” and especially “Eiham Tanasob” have an important role in enhancing the quality of the poems. Salman Savoji used Eiham to create artistic ambiguity، solidarity، and internal music. The purpose of this article is to study Eiham and its functions in the poems of Salman Savoji. “Eiham Tanasob” is the most dominated characteristic in Salaman`s poetic style and is used to create artistic ambiguity، rhythm of poem، enhancement of meaning، expanding the language، artistic decorating، and solidarity. In Salman`s poems، Eiham is used in a way that we can understand both the close and the far meaning of the words or it is very difficult to choose one of the meanings which results in an artistic ambiguity. He also enhanced the rhythm of his poems by contrast and symmetry which are the results of “Eiham Tanasob”. The relation that is made between the words of the poem by “Eiham Tanasob” results in a great solidarity. “Eiham Tanasob” along with other kinds of rhetoric and other forms of imagery used in his poems cause to distinguish his poetry language from prose، enhance the capacity of his poetry language to motivate the feelings of the readers، and according to the cooperation of the readers in creating the meaning the reader becomes an active one and results in artistic satisfaction.

Indicators of lightness in the " One hundred meydan " Khwaja Abdullah AnsariIn the fifth century, Sufism in Khurasan was booming, many the mystic sheikhs were raised on this land and They paid to teaching and guidance. Khwaja Abdullah Ansari, the great of mysticism Mashayekh in this period. He mixed Persian prose and verse and created a new style in Persian." One hundred meydan " is the most important books of Khwaja Abdullah. He has written books on mysticism and practical journey.Although " One hundred meydan " is important in mysticism but proper research has not been done about this book.This article refers to the Some ideas of a mystic Khwaja Abdullah and Classification mystical is evaluated based on the number three. To cite this Quranic verses and stylistic characteristics of speech " One hundred meydan " other cases that have been discussed in this paper.

Defamiliarisation mean, sometimes the fusion error is obtained when combining them together for the audience, is unexpected. Companion to contemporary poets such heterogeneous and linked by conflicting concepts, normative ways of dealing with words that attack. From this perspective, a wide range of innovative literary poets in Iran and Iraq, with particular attention to the intellectual and cultural affinities in the range of paradoxical phenomenon has manifested Tsvyrprdazyhay. Clearly, the ambiguity of such images makes the reader's mind in unknown space journey that although at first glance, to manifest his beliefs so inconsistent, but after a short journey, along with the poet's unwanted persuasion and beauty lies in his artistic Nasazvary enjoy. Accordingly, it must be said, created a literary picture of contemporary poets of Iran and Iraq Paradoxically covered when they are accompanied with meaningful innovations and creating deep connections between words opposite Mnjrgshth, poetry, art, immersed in an aura of pure imagination and the audience to explore the subtleties hidden in the layers of meaning that words evoked.The authors work is based on this research, the answer is: What are the main theme that is shared in poems by contemporary poets of Iran and Iraq, and has led to inconsistent terminology combining the semantic field of the challenges of the language?The findings show that contemporary poets of Iran and Iraq to accommodate the paradoxical words.

Grammatical words are those types of words by which the function of other words in the sentence is recognized. In the first glance, grammatical words have no task except relating other words together, and are not amongst words towards which poets have any special concern. But studying them in poetry shows that they have various artistic functions and can be counted as effective tools in the hands of the poet for constructing the language of his poem. This study aims at analyzing the aesthetic functions of grammatical words in contemporary poetry, and with an inductive method delineates that they are as essential as other words in the structure of poetic language and the effectiveness and foregrounding of speech. These words influence the foregrounding of poetry both semantically and syntactically, and are employed as instruments for the emphasizing and foregrounding meaning, emotion and thought, and also as elements in creating music, irregularity, building of new linguistic forms, creativity and innovation in the field of poetry. Beginning or ending poems or lines of poems by some of these conjunctions, creative clustering or omitting of these words, and emphasizing the meaning by the proper employment of these words in the syntactic context of the poems are examples of the most significant aesthetic functions of grammatical words in contemporary poetry

Reading of literature, especially poetry, without knowledge of symbols, myths and historical-social events is not possible. One of the most important reasons for the ambiguity and complexity of contemporary poetry is myth utilization. The myths reflect the culture, idea and the early people comprehension in order to justify what they could not bring reasonable causes. Of course, myth not only related to ancient world and early human, but also effects on beliefs and lives of today’s people. Myth-making never stop and it continue forever. One of the places that myth and myth-making is manifested in is in art and especially literature. Phoenix is a mental myth that has formed by early humans’ perception and there is among various cultures and tribes with different names and similar attributes. In contemporary Persian literature accorded to this myth and poets with their different perceptions of Phoenix, have used it as symbolic. "Nima Yooshij" is one of poets that Phoenix has a special place in his poems. In "Nima's poetry", phoenix used as private symbol and this is "Persian poetry".

The author uses the story of the formation and consolidation of the story itself deals Story elements such as plot, point of view, event, action, climax, conflict, story structure helps.In this paper, we examine the structure of the Shahnameh story Kavus paid.So, the definition and structure of the story is told,The review will examine the elements of the story.Ferdowsi processing this story has managed to make good use of the elementsAnd stories with good structure, advance For this reason, the story ends with the beginning of the appropriate causality and ends.The author uses the story of the formation and consolidation of the story itself deals Story elements such as plot, point of view, event, action, climax, conflict, story structure helps.In this paper, we examine the structure of the Shahnameh story Kavus paid.So, the definition and structure of the story is told,The review will examine the elements of the story.Ferdowsi processing this story has managed to make good use of the elementsAnd stories with good structure, advance For this reason, the story ends with the beginning of the appropriate causality and ends.

An important element of the story is Character that formed Coordinated to The plot and Each of the other elements of the story acts Based on it. Because of the importance and centrality of the character,The ability to processing characters fit in with the story, is One of the And the elements of immortality and one of criteria of the artistic ability of writer This article Has been paid to study similarities and differences two of the Bahram Sadeghi s "Malakout" and Kafka s "Metamorphosis" By documentary –library method. The result of this study shows that these stories are close to each other In terms of meaning and structure and the most difference between them is in character. The difference between the two authors of this And selecting a different view from each other, In presenting characters is The effect of meaning, purpose and distinct space between the two books After which the structure of the text is also affected.